Combining many photos together is known as double exposure photography. To
make them funny, poignant, or weird is the aim. Usually, they have
silhouettes in them.
The double exposure effect might initially appear difficult. However, it's
simple to create with Adobe Photoshop and in-camera.
These methods being:
Using the Tilt-Shift Effect : blurring a single photo instead of the
entire image, using a Photoshop tool/feature -
Filter > Blur Gallery > Tilt-Shift.
Create a fake reflection : adding a separate window photo
above the original picture to add texture and shine.
Simple portraits with detail textures : combining simple and detailed
textures to create a balanced look.
Convert results to black-and-white : gives
unique depth and boldness to the image as well as better
highlight emotion.
Work with silhouette : creates a fun challenge for designers.
Pick 2 random photos : spontaneity can give rise to
undiscovered design ideas.
Make simple objects look fascinating : taking a dull-looking object
and transforming it into a fantastical piece.
Use shadow : shadow outlines greatly help in double exposure
photography.
Fig 1.1.1 Working with Silhouettes
Photoshop Blending Modes
Fig 1.1.2 Blend Mode groups in Photoshop.
Fig 1.1.3 Commonly Used Blend Modes.
Lecture 8: Digital Surrealism
Realism vs Surrealism
Realismtakes from actual "reality" meaning it takes non-exotic and common things
from the real world.
Surrealismis a twist on realism; It delves into the subconscious, focusing mostly on
dream imagery and frequently seeking to warp the commonplace and what we take
to be reality.
Fig 1.1.4 Salvador Dali's Surrealistic Work.
What is Surrealism and how to achieve it
Surrealism refers to an art movement that focuses on using art forms to convey
the ideas and thoughts of the artist themselves in a dream-like manner.
To achieve surrealism, one must have the imagination to create:
Dream-like scenes and symbolic images
Unexpected, illogical justapositions
Bizarre assemblages of ordinary objects
Primitive or child-like images
You can go to
Sir Fauzi's website
for his students' beautiful works on digital surrealism!
✧。ูฉ(หแห )ู✧*。
1.2 Class Summaries
Week 7 :
We were briefed on the assignment and showed our progress so far to Sir Fauzi.
He also said that after ILW, he'd show us around the Taylor's photography
studio in preparation for Project 2B.
Week 8 :
This week was an individual learning week so there were no classes. After a
final check-up with Sir Fauzi online, we finalised our works and submitted.
2. INSTRUCTIONS
File 2.1 Module Information Booklet
3. DOUBLE EXPOSURE
3.1 Research
For research I mostly searched through YouTube for inspiration just to see
how others did them. These were ones I mostly looked into :^)
Video 3.1.1 "Create a Double Exposure in 74 seconds with Photoshop" by PiXimperfect.
Video 3.1.2 "How to shoot a DOUBLE EXPOSURE in-camera" by Eric Floberg.
Video 3.1.3 "Double Exposure Effect - Photoshop Tutorial" by LetsPhotoshop.
3.2 Ideation
Following as per instructions, I went to creating the double exposure. Like
the previous assignment, I feel like it'd be repetitive to show my progress.
But this time I'd actually lost some screenshots since my laptop was running
out of storage space. Nonetheless, I managed to get back this one
screenshot
(╥﹏╥)
Fig 3.2.1 Problem I faced with Double Exposure
I encountered a bit of a problem when it came to matching the background to
the sky in the forest scene, I managed to figure out though that I was
colour-picking whilst there was a Curves layer above it. So, I got through
it smoothly after that (´ ∀ ` *)
Aside from that, all I really changed were the colours.
3.3 Final Outcome
Fig 3.2.2 Double Exposure Final
4. MY OWN DOUBLE EXPOSURE
4.1 Research
I started by picking out a photo of myself that I took for a
Foundation module I took in 2022. I tried my best to look photogenic
but not sure it really worked (แต- แด -)... Moving on though, I
actually tried out a monotone double exposure before I did the final
artwork but it didn't really look right to me so I'll include it here
as an extra.
Fig 4.1.1 Main Photo
Fig 4.1.2 Failed Attempt
4.2 Ideation
With the bit of research I had with my failed attempt, I started to
continue with a proper one; a piece where I would experiment with
coloured double exposure.
Fig 4.2.1 My Own Double Exposure Progress #1
I first started by masking out my head and the mirror.
Fig 4.2.2 My Own Double Exposure Progress #2
Then I started trying out double exposure on my hijab. The picture
within my Hijab is actually of cherry blossoms ✿ ! I went for cherry
blossoms because I liked how the blue sky complimented it colours. I
color corrected my face and mirror to fit with the tone of the
cherry blossoms using different Curves layers and also an Overlay
layer.
Fig 4.2.3 My Own Double Exposure Progress #3
I wanted the mirror to be sort of a portal with water rushing out of
it, creating a surreal-ish feeling. Also, I adjusted the double
exposure slightly on my Hijab to better utilise the negative space
in my hijab.
Fig 4.2.4 My Own Double Exposure Progress #4
I adjusted the opacity and also the colour of the water ripple in
the mirror to fit the tone of the whole image. Changing the opacity
also made it so my reflection in the mirror is ever-so-slightly
visible.
As for the background, I added mountains at the bottom and also
butterflies surrounding the cherry blossoms.
Fig 4.2.5 My Own Double Exposure Progress #5
Finally, I added some finishing touches like the clouds and adjusted
the right mountain to slightly hid my disembodied finger
(>﹏<)
4.3 Final Outcome
Fig 4.3.1 My Own Double Exposure Final!
5. REFLECTION
I will be honest in that I wasn't really having as much fun on this part than I did with the previous one. It's mostly because of my workflow
throughout this part of the assignment specifically. I kept backtracking on things I
should've moved on from and also I had the added stress of my laptop malfunctioning. Which in turn made my anxiety worsen slightly.
Other than my personal problems that interfered with this part of Project 2, I still found some things fun like when I created the waterfall effect in the "My Own Double Exposure". Though I didn't properly handle this part of the project, I found to still be satisfactory enough to my eyes.
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